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静物の生と死をめぐって : ジョルジョ・モランディの描く世界から
https://toyoeiwa.repo.nii.ac.jp/records/1420
https://toyoeiwa.repo.nii.ac.jp/records/1420304d9b5a-1ae5-4584-b9c4-8ede26923a2b
名前 / ファイル | ライセンス | アクション |
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SN-N3_P37-46 (380.6 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2017-11-02 | |||||
タイトル | ||||||
タイトル | 静物の生と死をめぐって : ジョルジョ・モランディの描く世界から | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | On the Representation of “Life and Death” in Morandi’s Still Lifes | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ | departmental bulletin paper | |||||
著者 |
石津, 珠子
× 石津, 珠子 |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | This paper examines the representation of life and death in the still lifes by Giorgio Morandi (1890-1964), an Italian painter. The still life is a painting representative of inanimate things such as flowers, fruit, dead animals or birds, human artifacts and inorganic things. But the objects in themselves had once included something vital. Morandi draws and paints pictures of various daily-used bottles, vases and bowls, namely artifacts or non-vital things with elaborate efforts in his arrangement of objects, whereas in fact he depicts the existence of artifacts. Through his molding process, we are able to find life in the fractal dimensions of Morandi’s still lifes, instead of naturally-implied non-existence, nothingness or “death”. | |||||
書誌情報 | 巻 3, p. 37-46, 発行日 2007-03-31 | |||||
出版者 | ||||||
出版者 | リトン | |||||
ISBN | ||||||
識別子タイプ | ISBN | |||||
関連識別子 | 9784947668875 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA12053826 | |||||
著者版フラグ |