@article{oai:toyoeiwa.repo.nii.ac.jp:00001420,
 author = {石津, 珠子},
 month = {Mar},
 note = {This paper examines the representation of life and death in the still lifes by Giorgio Morandi (1890-1964), an Italian painter. The still life is a painting representative of inanimate things such as flowers, fruit, dead animals or birds, human artifacts and inorganic things. But the objects in themselves had once included something vital. Morandi draws and paints pictures of various daily-used bottles, vases and bowls, namely artifacts or non-vital things with elaborate efforts in his arrangement of objects, whereas in fact he depicts the existence of artifacts. Through his molding process, we are able to find life in the fractal dimensions of Morandi’s still lifes, instead of naturally-implied non-existence, nothingness or “death”.},
 pages = {37--46},
 title = {静物の生と死をめぐって : ジョルジョ・モランディの描く世界から},
 volume = {3},
 year = {2007},
 yomi = {イシヅ, タマコ}
}